https://dspace.ctu.edu.vn/jspui/handle/123456789/63344 2026-04-12T12:19:24Z 2026-04-12T12:19:24Z Matusky, Patricia https://dspace.ctu.edu.vn/jspui/handle/123456789/71555 2021-12-28T09:02:46Z 2020-01-01T00:00:00Z

Title: Mak yong: world heritage theatre Authors: Matusky, Patricia Abstract: This story of mak yong may be seen from several different perspectives; the author details his introduction to and involvement with the mak yong theatre and focuses on the mak yong as it was known and performed throughout the twentieth century (and most likely earlier). Another perspective of mak yong is as a regional folk theatrical genre given the status of “world heritage” through the UNESCO Proclamation of the “Masterpiece of Oral and Intangible Heritage of Humanity,” issued in 2005.

2020-01-01T00:00:00Z Rollins, Annie Katsura https://dspace.ctu.edu.vn/jspui/handle/123456789/71554 2021-12-28T09:02:15Z 2020-01-01T00:00:00Z

Title: Puppets and cities: articulating identities in Southeast Asia Authors: Rollins, Annie Katsura Abstract: Goodlander’s writing is clear and accessible; she does a thorough job of linking the theme of cities back through the seemingly disparate case studies. For anyone who is looking for a recent and relevant study of puppetry in Southeast Asia, this text will more than satisfy. With such accessible and engaging writing, this book is suitable for both undergraduate students and scholars in performance studies, theatre, geography, East Asian, museum, and heritage studies.

2020-01-01T00:00:00Z Foley, Kathy https://dspace.ctu.edu.vn/jspui/handle/123456789/71553 2021-12-28T09:01:43Z 2020-01-01T00:00:00Z

Title: Southeast Asia Authors: Foley, Kathy Abstract: This is a book of remembrances - ranging from a performance text to personal memories - regarding one of Southeast Asia’s most influential director - thinkers of the postcolonial era: Krishen Jit (1939-2005). The work, generously illustrated and well designed (Zarina Othman), documents a conference held at Kuala Lumpur Performing Arts Centre (KLPac) on 9-11 January 2015, which gathered those affected by Krishen’s work as director, theatre critic, or co-creator of contemporary performance in Malaysia and Singapore. Krishen taught history at University of Malaya (UM) but was best - known as a public intellectual and important theatre director. Much of his professional directing came after his retirement from teaching.

2020-01-01T00:00:00Z Ganapathy, Radhica https://dspace.ctu.edu.vn/jspui/handle/123456789/71552 2021-12-28T09:01:12Z 2020-01-01T00:00:00Z

Title: A socio-political history of marathi theatre: thirty nights Authors: Ganapathy, Radhica Abstract: The book details substantial historical information intertwined between the history of India in the nineteenth and twentieth centuries, excerpts from plays that deepen the reader’s understanding of the work, critical analysis, and commentary. A Socio- Political History of Marathi Theatre grapples with a core question of “Who am I?” over three volumes, spread over a course of thirty nights (which are presented as thirty chapters). Sathe’s examination explores the psyche of playwrights, their contributions, the surrounding social politics, and political ideologies which helped shape theatre in modern India.

2020-01-01T00:00:00Z