https://dspace.ctu.edu.vn/jspui/handle/123456789/63336 Thu, 12 Mar 2026 20:47:58 GMT 2026-03-12T20:47:58Z https://dspace.ctu.edu.vn/jspui/handle/123456789/71530 Title: At the feet of a Mauna Authors: Peralto, No‘eau Abstract: No'eau Peralto was born and raised on the slopes of Maunakea in Waiàkea Uka, Hilo, Hawai'i, and is a proud descendant of küpuna from Koholalele, Hamàkua, where he now resides with Haley Kailiehu. He is a founding member and the current Executive Director of Hui Malarna i ke Ala ‘Ulili (huiMAU), through which he serves our lahui as a community organizer and a cultivator of seeds and stories. Wed, 01 Jan 2020 00:00:00 GMT https://dspace.ctu.edu.vn/jspui/handle/123456789/71530 2020-01-01T00:00:00Z https://dspace.ctu.edu.vn/jspui/handle/123456789/71528 Title: Self-Publication; Self-Promotion; and the Life of William Grimes, the Runaway Slave Authors: Sinche, Bryan Abstract: Self-publication-that is, the funding of a book’s publication by its author-has a long and influential history in African American autobiography, a history that has only occasionally been discussed or even considered. Like so much of African American literature, we can trace that history back to the Afro-Briton Olaudah Equiano, whose Narrative (1789), Vincent Carretta argues, established Equiano as “one of the earliest self-publishing entrepreneurs” (“Property” 144). Even if we ignore Carretta’s provocative claim that Equiano was a mythmaker who fabricated the place of his nativity and much of his life story, we cannot ignore the fact that Equiano was-from the first-focused on selling that life story to audiences around the world (Equiano). Tue, 01 Jan 2019 00:00:00 GMT https://dspace.ctu.edu.vn/jspui/handle/123456789/71528 2019-01-01T00:00:00Z https://dspace.ctu.edu.vn/jspui/handle/123456789/71527 Title: The Palestine exception to academic freedom "Intertwined stories from the Frontlines of UK-based Palestine Activism" Authors: Shwaikh, Malaka; Gould, Rebecca Ruth Abstract: Although we only later came to realize its significance in our lives, and for Palestine advocacy generally, February 2017 turned out to be a watershed month for those of us on the frontlines of the Palestine advocacy movement in the UK. That month, amid a wave of cancellations of events critical of Israel, we were attacked in the media, smeared as antisemitic, and simultaneously supported and censored by our universities. The following month was marked by unprecedented censorship of Israel-critical events across the UK. As we have since learned, these events were linked to the UK governments adoption of the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism. Tue, 01 Jan 2019 00:00:00 GMT https://dspace.ctu.edu.vn/jspui/handle/123456789/71527 2019-01-01T00:00:00Z https://dspace.ctu.edu.vn/jspui/handle/123456789/71525 Title: Introduction: The field of Ramlila Authors: Lothspeich, Pamela Abstract: This special issue is intended to briefly introduce the field of Ramlila, as a performance practice and as an idea. It is designed to give a taste of its geographic range and a sample of its multiple and diverse manifestations in India and the Indian diaspora. The Introduction briefly discusses the literary sources of Ramlila, its history, chief styles, and emerging trends. It also includes a synopsis of the story of Ram in Ramlila. Following this, a translation of three scenes from the Lav-Kush Ramlila in Old Delhi, with a critical introduction, sheds light on the mounting politicization of Ramlila by the Hindu Right, Two articles, one on Naulanki and one on Rarnayan Gaan, illustrate that Ramlila is a form of theatre vety much in dialogue with other forms of popular performance in the Hindi belt and along its linguistic borders, naira lively, aesthetically, and ideologically. A review-essay of two documentaries and an interview with an expert on Kumaoni Ramlila further demonstrate the diversity of Ramayan-themed performance, despite the continued homogenization and commercialization of Ramlila. An article on a distinctive Ramlila in Trinidad and another in the United Slates (North Carolina) speak to the global reach of Ramlila, and its important role in “homemaking. ” Finally, a report on a festival to commemorate a Ramayan-themed dance drama (wayang wong) at Prambanan recalls the Rarnayan’s early journey from South to Southeast Asia. Wed, 01 Jan 2020 00:00:00 GMT https://dspace.ctu.edu.vn/jspui/handle/123456789/71525 2020-01-01T00:00:00Z