Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/42328
Title: The Origin and usage of Music in Hanoi's Buddhist Rites
Authors: Nguyễn, Đình Lâm
Keywords: The Origin
Music
Hanoi
Buddhist Rites
Issue Date: 2020
Series/Report no.: Vietnamese Studies;Số 02 .- Tr.78-86
Abstract: When the Buddha was alive, he told his disciples that they should not listen to secular music to avoid the distraction of self-cultivation. However, after the Buddha entered Nirvana, and particularly with the appearance of Mahayana and Tantrism, music became one of the important tools of propagating Buddhism and teaching sentient beings (Sattva), as well as being a central element in the religious culture of Buddhism. This article is a short sketch of our larger research project into Buddhism's conception of music and the use of music; the appearance of Buddhist ritual music in Vietnam, and the stability of the Vietnamese Buddhist music in Buddhist ceremonies in Hanoi.
URI: https://dspace.ctu.edu.vn/jspui/handle/123456789/42328
ISSN: 1859-0985
Appears in Collections:Vietnamese studies

Files in This Item:
File Description SizeFormat 
_file_
  Restricted Access
1.57 MBAdobe PDF
Your IP: 3.21.247.221


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.