Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/69012
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dc.contributor.authorByrne, Christopher-
dc.date.accessioned2021-11-25T01:38:28Z-
dc.date.available2021-11-25T01:38:28Z-
dc.date.issued2020-
dc.identifier.issn0031-8221-
dc.identifier.urihttps://dspace.ctu.edu.vn/jspui/handle/123456789/69012-
dc.description.abstractIn traditional and popular accounts, Zen Buddhism is depicted as a practice that rejects literary study and intellectualization in favor of a direct experience of enlightenment that is beyond words. Indeed, the Zen school has traditionally defined itself as a "separate transmission outside the teachings, not dependent on words and letters" - Even when regarding the tradition's literary output, Zen Iiterature is famous for its antinomian dialogues replete with outrageous antics, frequent non sequiturs, and crude, illiterate utterances that appear to validate the perspective that Zen simply rejects logical thinking, rational discourse, literary cultivation, and any systematic means of study. While it is true that Zen literature emphasizes the practical over the theoretical, privileges silence over words, and is severely critical of logical descriptions of reality, failure to account for the dialectical underpinnings of Zen literature obscures the tradition's philosophical commitments and engagements.vi_VN
dc.language.isoenvi_VN
dc.relation.ispartofseriesPhilosophy East & West;Vol.70, No.03 .- P.661-678-
dc.subjectThe five ranks philosophyvi_VN
dc.subjectZen buddhismvi_VN
dc.subjectPoetryvi_VN
dc.subjectPerformative dialecticsvi_VN
dc.titleNeither straight nor crooked: poetry as performative dialectics in the five ranks philosophy of zen buddhismvi_VN
dc.typeArticlevi_VN
Appears in Collections:Philosophy East and West

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