Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/69827
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dc.contributor.authorChinn, Meilin-
dc.date.accessioned2021-12-08T08:19:43Z-
dc.date.available2021-12-08T08:19:43Z-
dc.date.issued2021-
dc.identifier.issn0031-8221-
dc.identifier.urihttps://dspace.ctu.edu.vn/jspui/handle/123456789/69827-
dc.description.abstractOne way of understanding representation motivates a noted reticence toward speaking about music, even among those who discuss it. Sometimes this reticence comes from having been deeply transformed by music's abstruseness in thought and language.vi_VN
dc.language.isoenvi_VN
dc.relation.ispartofseriesPhilosophy East & West;Vol.71, No.01 .- P.173-192-
dc.subjectRepresentingvi_VN
dc.subjectMusicvi_VN
dc.subjectAbstrusenessvi_VN
dc.titleRepresenting the great in musicvi_VN
dc.typeArticlevi_VN
Appears in Collections:Philosophy East and West

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