Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/71433
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dc.contributor.authorGudmundsdottir, Gunnthorunn-
dc.date.accessioned2021-12-27T09:27:05Z-
dc.date.available2021-12-27T09:27:05Z-
dc.date.issued2020-
dc.identifier.issn0162-4962-
dc.identifier.urihttps://dspace.ctu.edu.vn/jspui/handle/123456789/71433-
dc.description.abstractThe year 2018 saw the publication of a variety of auto/biographical works in Iceland, with a broad range of thematic and stylistic approaches. The works I have chosen to focus on here caught the attention of critics and readers alike in very different ways. The works include a delving into a family’s difficult past, reflections on people on the margins of society, and musings on the death of the book. What they have in common is that they all focus on a group rather than an individual a family, a group of artists, a social groupand in one way or another they all examine a lost or disappearing world. This, one could argue, is one of the main themes of life writing in general, but here the authors all convey a palpable sense that they are writing about a world that has been disappearing in the last few decades due to changing mores and social conditions, and the advent of new technologies.vi_VN
dc.language.isoenvi_VN
dc.relation.ispartofseriesBiography;Vol. 43, No. 01 .- P.80-85-
dc.subjectDisappearing Worldsvi_VN
dc.subjectLife writingvi_VN
dc.subjectIcelandvi_VN
dc.titleDisappearing Worlds in Life writingvi_VN
dc.typeArticlevi_VN
Appears in Collections:Biography

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