Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/71544
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dc.contributor.authorWeinstein, John B.-
dc.date.accessioned2021-12-28T08:56:37Z-
dc.date.available2021-12-28T08:56:37Z-
dc.date.issued2020-
dc.identifier.issn0742-5457-
dc.identifier.urihttps://dspace.ctu.edu.vn/jspui/handle/123456789/71544-
dc.description.abstractXing Fan begins Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution with a performance anecdote. She recounts the night in 2001 when she saw The Red Lantern, among the most famous of the ten model jingju, performed at the Yisu Grand Theatre in Xi’an. (Though the term jingju has often been translated into English as Peking Opera or Beijing Opera, Fan joins the growing number of scholars who choose to call it jingju.)vi_VN
dc.language.isoenvi_VN
dc.relation.ispartofseriesAsian theatre Journal;Vol. 37, No. 01 .- P.267-270-
dc.subjectChinavi_VN
dc.titleChinavi_VN
dc.typeArticlevi_VN
Appears in Collections:Asian theatre journal

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