Please use this identifier to cite or link to this item: https://dspace.ctu.edu.vn/jspui/handle/123456789/71552
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dc.contributor.authorGanapathy, Radhica-
dc.date.accessioned2021-12-28T09:01:08Z-
dc.date.available2021-12-28T09:01:08Z-
dc.date.issued2020-
dc.identifier.issn0742-5457-
dc.identifier.urihttps://dspace.ctu.edu.vn/jspui/handle/123456789/71552-
dc.description.abstractThe book details substantial historical information intertwined between the history of India in the nineteenth and twentieth centuries, excerpts from plays that deepen the reader’s understanding of the work, critical analysis, and commentary. A Socio- Political History of Marathi Theatre grapples with a core question of “Who am I?” over three volumes, spread over a course of thirty nights (which are presented as thirty chapters). Sathe’s examination explores the psyche of playwrights, their contributions, the surrounding social politics, and political ideologies which helped shape theatre in modern India.vi_VN
dc.language.isoenvi_VN
dc.relation.ispartofseriesAsian theatre Journal;Vol. 37, No. 01 .- P.296-300-
dc.subjectSocio-political historyvi_VN
dc.subjectMarathi theatrevi_VN
dc.subjectThirty nightsvi_VN
dc.titleA socio-political history of marathi theatre: thirty nightsvi_VN
dc.typeArticlevi_VN
Appears in Collections:Asian theatre journal

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